“Seth material” search engine (Jane Roberts)

This test brought several questions to mind at once, though. How had Seth picked up the information about the entire page, when only a small section of it was in the test envelope? Had some kind of projection on my part been involved, back to the studio bookcase? Seth hadn’t first given impressions of the envelope object itself, then neatly moved on to deal with the entire page; he had shifted back and forth between the two, as if viewing both at once. And why had he not confined his data just to the envelope object?

Actually, I’m not sorry that we took so much time for the tests, but I’m glad we ended them when we did. I’m not temperamentally suited to putting myself under fire twice a week, which is what I was doing with the attitude I had at the time. Emotionally I disliked the tests; intellectually I thought them necessary. Seth didn’t seem to mind them at all, but I forced myself to go along because I thought I should. The fact remains that in our sessions the best instances of ESP have occurred spontaneously or in response to someone’s need, and not when we were trying to prove anything. I knew I was disappointed not to get some sort of “certificate of legitimacy” from Dr. Instream. On the other hand, we didn’t ask for one; we were too burned up not to have reports on the results.

After the session Rob told me he was quite certain that I didn’t consciously possess such knowledge—that my mind “didn’t work that way.” Rob had never tried this particular method of building up color tones in portrait work, and it is this technique he used in the painting idea that “came to him” a few days after this session. Later Seth added to this information. We are still accumulating material on art, art philosophy, and painting techniques.