1 result for (book:tsm AND heading:"chapter eight" AND stemmed:memori)
[... 74 paragraphs ...]
Seth seemed to pick up things that had particular emotional meaning for Peg and Bill. For instance, he included among other impressions, “a commemoration of a murder … a statue …” It developed that the Gallaghers had passed a statue, a memorial to Sir Harry Oakes who had been murdered in a sensational, well-publicized case in 1943. Peg was so curious about this that she even questioned a cab driver on his knowledge of the murder events.
[... 1 paragraph ...]
All told, a total of forty correct impressions were given in the three sessions held while Peg and Bill were in Nassau; more, actually, since many impressions consisted of several points. But so much work is involved in such an experiment! Memory is fallible, so we always tried to get anyone involved to write up their reports at once for easier and more reliable checking.
[... 4 paragraphs ...]
Rob has a strong visual memory. Once he sees such an image, he retains it and can refer back to it at will. My visual memory is poor, in contrast, and so is my eyesight (I have no depth perception). Rob is a professional artist, an excellent draftsman and technician. Yet in sessions, Seth has given Rob excellent advice and information on the techniques and philosophy of art. This strikes us as really funny, since I paint as a hobby, with a stubborn lack of perspective. Rob used to try to teach me perspective, but the lessons just wouldn’t take. I’ve never studied art, and my paintings are rather childish in execution, done with raw color. Yet Seth told Rob how to mix and use certain pigments, and Rob has added the information to his repertoire. Seth says that he has no artistic ability either, but questions artists who have entered his own field of reality.
[... 11 paragraphs ...]