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TSM Chapter Eight 14/94 (15%) test Rob portrait Instream impressions
– The Seth Material
– © 2011 Laurel Davies-Butts
– Chapter Eight: A Year of Testing — Seth “Looks Into” Envelopes and Gives Rob a Few Art Lessons

[... 35 paragraphs ...]

This test was funny, really, because Seth was doing beautifully on his own. Then he threw the ball to me, and I nearly fell flat on my face. The envelope item was a bill of Rob’s, dated July 15, 1966. The session was on August 1. I’d been with Rob at the lumberyard when he got the bill. (See the illustrated section).

[... 3 paragraphs ...]

“1966, looking forward to 1967.” (Written on the bill is the date and the year, 1966, and underneath, “Account forwarded.”)

[... 2 paragraphs ...]

“Connection with transportation and with water.” (A rather unique way of referring to a ten-mile car trip to Wellsburg. The name of the town appears on the bill. So, incidentally, does the word “carload” on the back.)

“A word beginning with m, and another M, this time the initial of a name.” (Rob had purchased Masonite, by its brand name, but the salesman listed it as “Presdwood” on the bill. A capital M appears in the bill’s heading: Glenn M. Schuyler.)

“A rectangular item with some dark coloring on it, perhaps dark blue.” (The bill is rectangular. The back of it is printed in heavy black.)

All in all, Seth gave twenty-four impressions. Each of them did apply, though some were not as specifically connected as others. For example, Seth said: “Connection with black, symbolic of death; and with a tournament, again symbolic, as of a crossing of swords.” We believe that this was a reference to World War II, when the salesman who waited on us had his portrait done as a soldier. Another example was this: “Numbers … perhaps 01913.” The bill did have numbers on it, and in a series that began with 0 (this seemed unusual to us), but not in the order given by Seth. One series begins with 09 (not 019); and the last two digits, 1 and 3, do appear by themselves on the front of the bill.

[... 2 paragraphs ...]

Yet Seth was trying to lead me to the word “roofing.” It was in the heading of the bill, on the upper half. See how correct and yet ambiguous that unfinished impression was—“the feeling of something hanging over, threatening or overhanging, on the upper half of the object, and dark.”

The second impression that I was supposed to complete (“something bright and small beneath this overhanging or threatening portion”) was to lead me to the word “roller pan,” which also appeared on the bill beneath the word “roofing.” A roller pan is small, bright, and shiny, and the one Rob purchased that day had been a shiny aluminum color.

Here Seth’s impressions had been quite literal, as if the words on the bill were coming to life and being described as objects instead of as words describing objects. Later I was to do much better when Seth left some impressions up to me, but this kind of training was invaluable. Even though I didn’t do a very good job, we learned something about the nature of perception, which was Seth’s intent. This test made us suspect that all impressions, extrasensory or otherwise, are initially nonverbal and nonvisual, more like pure feeling that is only later interpreted in sense terms.

[... 20 paragraphs ...]

This time Peg and Bill went to Nassau. Again, neither Rob nor I have been there. Again, we exchanged no cards, letters, or communications of any kind. But to my delight, Seth certainly knew where the Gallaghers were staying. In a series of impressions one night (October 17, 1966), he accurately described their hotel:

[... 1 paragraph ...]

Each point was correct. We went over the material with the Gallaghers on their return. But there was much more. Seth had correctly described a nightclub they’d visited, then went on to mention that there had been a “nuisance there.” Bill and Peg wholeheartedly agreed. They’d been annoyed by a loud-mouthed English tourist. So, obviously, had others. The Englishman insisted upon whistling with the band. Seth also said that there were eighteen shrubs out in front of the nightclub, but Bill had to admit that though there were shrubs out front, he hadn’t thought of counting them.

Seth seemed to pick up things that had particular emotional meaning for Peg and Bill. For instance, he included among other impressions, “a commemoration of a murder … a statue …” It developed that the Gallaghers had passed a statue, a memorial to Sir Harry Oakes who had been murdered in a sensational, well-publicized case in 1943. Peg was so curious about this that she even questioned a cab driver on his knowledge of the murder events.

Then, strangely, Seth gave a very specific description of a place Peg and Bill visited, but with one distortion, apparently of wording. “A fountain with steps leading up to it; a circular formation surrounded by flowers, with closely crowded, old, two-story structures to the left of the street and very close to it, in rows.” Everything was correct, except that there was a water tower rather than a fountain.

All told, a total of forty correct impressions were given in the three sessions held while Peg and Bill were in Nassau; more, actually, since many impressions consisted of several points. But so much work is involved in such an experiment! Memory is fallible, so we always tried to get anyone involved to write up their reports at once for easier and more reliable checking.

[... 16 paragraphs ...]

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