1 result for (book:tps6 AND heading:"delet session march 4 1981" AND stemmed:work)

TPS6 Deleted Session March 4, 1981 6/36 (17%) hypothetical accomplishments portrait writer composite
– The Personal Sessions: Book 6 of The Deleted Seth Material
– © 2017 Laurel Davies-Butts
– Deleted Session March 4, 1981 9:18 PM Wednesday

[... 3 paragraphs ...]

(Once more, Jane wasn’t comfortable in her chair as she prepared for the session at 9 PM. “It’s really weird to be so unambitious,” she said as she tried to get settled. She’d done some excellent notes for her third essay for her book of poetry today, though she hadn’t worked at it as much as in other recent days. She’d also slept several hours today, though as usual after laying down for a short time her arms and legs became very sore. She’d soon wakened from that first delicious snoring.

[... 8 paragraphs ...]

For example: You were pleased, Joseph, with the portrait you did and showed Ruburt, remarking, however, that you wished you had done such work earlier, and on other occasions you have made similar remarks. You will compare your own life and work often in a critical fashion to artists who were obsessed with one art from the beginning of their lives, or who pursued what is really a kind of straight and undeviating course—a brave courageous one, perhaps, and highly focused, but one that must be in certain respects (underlined) limited in scope and complexity, not crossing any barriers except those that seem to occur strictly within painting’s realm itself (all intently.

[... 3 paragraphs ...]

That experience of that kind does not come at 20, or even at 30. Part of your accomplishment lies in our sessions and your own considerable work with the notes, and with the invisible aura contained in those notes, for there in a different way you are painting a portrait—a portrait of two lives from a highly individualistic standpoint, extremely unique—and that is the kind of experience that would be ripped out of your life’s fabric, were you the hypothetical idealized version with whom you sometimes relate—a version highly romanticized, let me add.

[... 2 paragraphs ...]

As a rule, psychics are not particularly good writers. He tries to view his own work through some idealized image of a psyche who is as gifted as he is as a writer, and also highly gifted in meeting the public, putting on performances, acting as a healer, as a prophet, and as an expert therapist all at once, and in so doing his own characteristics and natural abilities and inclinations become lost along the way.

[... 2 paragraphs ...]

Both of your minds are doing more than fulfilling their promises: they are being used to excellent capacity. Your emotional understanding has also deepened greatly through the years. This applies to both of you. Ruburt does beautifully with people, individually and with groups—particularly for someone who is (underlined) largely so given to solitary work.

[... 6 paragraphs ...]

Some of your psychological growth is obvious through the books, of course—obvious to others if often not to yourselves. The books make a psychological impact difficult to describe—one of course that overall presents a kind of multidimensional portrait, highly difficult to assess. (Long pause.) You lose contact with yourself to whatever extent as you compare yourself to others, and therefore your own work can escape you, again, and the contour of your own experience. You are planting seeds, and with the books you are planting seeds, only the results are not immediately before your eyes—a good point to remember.

[... 5 paragraphs ...]

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