“Seth material” search engine (Jane Roberts)

The ideal may be specific, then, or ill-defined, and man’s idea of “the good” varies considerably. The better you can define your idea of the ideal, the better off you are, for it—the definition—at least clears your own mind, and suggests lines of action too. “The best” idealist is a practical one—someone who realizes that most men like to work with specifics. Many might shy away from any philosophical discussions concerning the nature of “the good,” but many would also understand and appreciate the meaning of the word “better,” when applied to any situation.

You may not achieve ideal solutions with the law, but it should allow practical specific actualization, at least in part, of an ideal situation. You are both quite lucky, in that in your main work you can deal directly with the ideal. In writing and in painting you tackle it. The creative artist is always involved in the expression of the ideal, and his work expresses that ideal as best he can.

Pat was chosen symbolically, yet stands for a definite situation, when you two visited Boston on tour. At that time, Ruburt saw Pat, who is a teacher, and was traveling through belief systems with the greatest of ease, converting to Judaism and then out of it, and so forth. I spoke on television, and you were both appalled at the gulf between what you saw as the idealized message of our work, and the ludicrous (pause) lack of integrity of the environment in which that ideal was expressed. I am referring to the other performer, et cetera—the circumstances which you know well.

While still devoted to the ideal, you were both quite appalled, simplistically speaking. The brave portions of your personalities went on helping each other, as per the dream, until Pat Norelli, as Ruburt, easily working through belief systems stands center stage, ready to speak to other frightened portions of yourselves still on a high ledge. They begin to realize that everything is all right; they can come down or join the other couple.