“Seth material” search engine (Jane Roberts)

Ruburt felt that your idealism could threaten the practical distribution of the books, so that his idealistic purpose—to get those words out—could be held back. You felt that the lack of taste, and often of artistic integrity, was so blatant that it blighted the words themselves, marred the message. Both of you were concerned with the ideal. You felt Ruburt was being too “practical,” and would put up with almost anything, and he felt that you were being too impractical at times.

Ruburt suspects this man of helping himself in somewhat the same manner, in the meantime. In any case, the mechanism deposits a few coins or so. There is a missing key, and the old man also possesses one to the mechanism, which he finally gives to Ruburt, who then operates it. The odd mechanism represents the mechanics of the law, which his father used poorly, and in fact he died before he had time to make the contraption mentioned in the dream.

The coins represent the small amount of money Ruburt did receive. The old man also stands for Ruburt’s father, as Ruburt thought of him bumming around, frittering away his time and energy, so he was stealing from the pot. There would be nothing left. Ruburt was not greedy, but curious. The missing key represented Yale locks (with emphatic amusement). The dream said “Do not wait too late to set up the legal mechanism,” and affirmed that Yale was at least a good idea. (Pause.) The old man also stood for old man time in the dream, and reinstated the fact that an executor is important, for the old man also stood for —in the dream, now—Ruburt’s father acting as his own executor—meaning that his nature led him to leave ends loose.

Pat was chosen symbolically, yet stands for a definite situation, when you two visited Boston on tour. At that time, Ruburt saw Pat, who is a teacher, and was traveling through belief systems with the greatest of ease, converting to Judaism and then out of it, and so forth. I spoke on television, and you were both appalled at the gulf between what you saw as the idealized message of our work, and the ludicrous (pause) lack of integrity of the environment in which that ideal was expressed. I am referring to the other performer, et cetera—the circumstances which you know well.