“Seth material” search engine (Jane Roberts)

In the matter of publishing, or selling paintings, others are involved—others who very rarely in their lives experience that important encounter between, say, the self as actualized and the idealized sensed self, between the painting or the poem as an ideal and the actualization of that ideal. You cannot give such people a general impression of what you want. If you are concerned with such matters as covers that do not live up to your ideals of what covers should be, then you must begin your definitions. Ruburt has primarily been concerned with the ideal that is behind all of his books, and with the practical matter of getting those out into the world. (Pause.) He was willing to put up with a good deal to do so, to overlook lacks of taste in presentation, say.

Do not think in terms of a generalized ideal situation, but in terms of better covers, better communication with Prentice in both friendly terms as per Ruburt’s calls to Tam, and in the definitive terms of clearly stating specific requests. Otherwise neither of you will be satisfied. Other companies may have more money to spend. Prentice is not a great trade publisher. Yet you will still be dealing with the same kinds of people, and Ruburt has done well as far as publishers are concerned, in handling innovative books published by the firm. Some other companies might well have exerted even more pressure to keep Ruburt writing along certain proven lines. They were also innovative, in their terms, in the publishing of material before the current interest in unofficial events.