1 result for (book:tps5 AND heading:"delet session june 11 1979" AND stemmed:practic)

TPS5 Deleted Session June 11, 1979 5/39 (13%) ideal define executor contraption Yale
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session June 11, 1979 9:20 PM Monday

[... 9 paragraphs ...]

The ideal may be specific, then, or ill-defined, and man’s idea of “the good” varies considerably. The better you can define your idea of the ideal, the better off you are, for it—the definition—at least clears your own mind, and suggests lines of action too. “The best” idealist is a practical one—someone who realizes that most men like to work with specifics. Many might shy away from any philosophical discussions concerning the nature of “the good,” but many would also understand and appreciate the meaning of the word “better,” when applied to any situation.

[... 1 paragraph ...]

You may not achieve ideal solutions with the law, but it should allow practical specific actualization, at least in part, of an ideal situation. You are both quite lucky, in that in your main work you can deal directly with the ideal. In writing and in painting you tackle it. The creative artist is always involved in the expression of the ideal, and his work expresses that ideal as best he can.

In the matter of publishing, or selling paintings, others are involved—others who very rarely in their lives experience that important encounter between, say, the self as actualized and the idealized sensed self, between the painting or the poem as an ideal and the actualization of that ideal. You cannot give such people a general impression of what you want. If you are concerned with such matters as covers that do not live up to your ideals of what covers should be, then you must begin your definitions. Ruburt has primarily been concerned with the ideal that is behind all of his books, and with the practical matter of getting those out into the world. (Pause.) He was willing to put up with a good deal to do so, to overlook lacks of taste in presentation, say.

[... 2 paragraphs ...]

Ruburt felt that your idealism could threaten the practical distribution of the books, so that his idealistic purpose—to get those words out—could be held back. You felt that the lack of taste, and often of artistic integrity, was so blatant that it blighted the words themselves, marred the message. Both of you were concerned with the ideal. You felt Ruburt was being too “practical,” and would put up with almost anything, and he felt that you were being too impractical at times.

[... 18 paragraphs ...]

I try my best (louder) to define and redefine your ideas of the ideal, so that you can achieve greater practical benefits, and feel some satisfaction with the actualization of at least portions of the ideal in daily life.

[... 3 paragraphs ...]

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