“Seth material” search engine (Jane Roberts)

In the matter of publishing, or selling paintings, others are involved—others who very rarely in their lives experience that important encounter between, say, the self as actualized and the idealized sensed self, between the painting or the poem as an ideal and the actualization of that ideal. You cannot give such people a general impression of what you want. If you are concerned with such matters as covers that do not live up to your ideals of what covers should be, then you must begin your definitions. Ruburt has primarily been concerned with the ideal that is behind all of his books, and with the practical matter of getting those out into the world. (Pause.) He was willing to put up with a good deal to do so, to overlook lacks of taste in presentation, say.

(9.39.) You feel sometimes a visual outrage, because your natural ideals tend to follow the design and integrity, the lines and flowing patterns that belong to the nature of the universe. Some part of you feels that when such blatant distortions occur, as sometimes occur in the packaging of the books, that far greater invisible lacks of integrity lie buried within. Now that is true and not true, as you know—for ideally, how marvelous it would be if each person could indeed understand those balances and artistic lacks of balances when they appear.

Ruburt felt that your idealism could threaten the practical distribution of the books, so that his idealistic purpose—to get those words out—could be held back. You felt that the lack of taste, and often of artistic integrity, was so blatant that it blighted the words themselves, marred the message. Both of you were concerned with the ideal. You felt Ruburt was being too “practical,” and would put up with almost anything, and he felt that you were being too impractical at times.

Pat was chosen symbolically, yet stands for a definite situation, when you two visited Boston on tour. At that time, Ruburt saw Pat, who is a teacher, and was traveling through belief systems with the greatest of ease, converting to Judaism and then out of it, and so forth. I spoke on television, and you were both appalled at the gulf between what you saw as the idealized message of our work, and the ludicrous (pause) lack of integrity of the environment in which that ideal was expressed. I am referring to the other performer, et cetera—the circumstances which you know well.