“Seth material” search engine (Jane Roberts)

You may not achieve ideal solutions with the law, but it should allow practical specific actualization, at least in part, of an ideal situation. You are both quite lucky, in that in your main work you can deal directly with the ideal. In writing and in painting you tackle it. The creative artist is always involved in the expression of the ideal, and his work expresses that ideal as best he can.

Ruburt felt that your idealism could threaten the practical distribution of the books, so that his idealistic purpose—to get those words out—could be held back. You felt that the lack of taste, and often of artistic integrity, was so blatant that it blighted the words themselves, marred the message. Both of you were concerned with the ideal. You felt Ruburt was being too “practical,” and would put up with almost anything, and he felt that you were being too impractical at times.

Do not think in terms of a generalized ideal situation, but in terms of better covers, better communication with Prentice in both friendly terms as per Ruburt’s calls to Tam, and in the definitive terms of clearly stating specific requests. Otherwise neither of you will be satisfied. Other companies may have more money to spend. Prentice is not a great trade publisher. Yet you will still be dealing with the same kinds of people, and Ruburt has done well as far as publishers are concerned, in handling innovative books published by the firm. Some other companies might well have exerted even more pressure to keep Ruburt writing along certain proven lines. They were also innovative, in their terms, in the publishing of material before the current interest in unofficial events.

Dream two involves two couples, and they are both you and Ruburt.

(Pause.) You appeared as both young men. Ruburt appeared as himself, and as Pat Norelli. The amphitheatre stands both for the world, and for the dramatic action of your lives, in which your ideals and aspirations are actualized or played out to whatever extent. The couples show your own double faces. One couple is brave, daring, assured, headed for the center of the stage. The other couple, while headed in the same direction, are frightened of the high ledge that must be covered, and afraid that it can lead to a dead end.

Pat was chosen symbolically, yet stands for a definite situation, when you two visited Boston on tour. At that time, Ruburt saw Pat, who is a teacher, and was traveling through belief systems with the greatest of ease, converting to Judaism and then out of it, and so forth. I spoke on television, and you were both appalled at the gulf between what you saw as the idealized message of our work, and the ludicrous (pause) lack of integrity of the environment in which that ideal was expressed. I am referring to the other performer, et cetera—the circumstances which you know well.

While still devoted to the ideal, you were both quite appalled, simplistically speaking. The brave portions of your personalities went on helping each other, as per the dream, until Pat Norelli, as Ruburt, easily working through belief systems stands center stage, ready to speak to other frightened portions of yourselves still on a high ledge. They begin to realize that everything is all right; they can come down or join the other couple.

To do so, however, they must back down through previous limiting beliefs, and had you not wakened Ruburt, the four of you would have joined each other on the stage. Ruburt was correct in what he picked up from me today (half laughing)—concerning both your rugs and nationalized medicine, and some of its effects upon the poor if it were established.

At the very least, you should have your rugs cleaned, even if you are grumpy, both of you, for a day, since you are obviously spoiled now and afraid of cold bare floors.