1 result for (book:tps5 AND heading:"delet session june 11 1979" AND stemmed:actual)

TPS5 Deleted Session June 11, 1979 7/39 (18%) ideal define executor contraption Yale
– The Personal Sessions: Book 5 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session June 11, 1979 9:20 PM Monday

[... 2 paragraphs ...]

(She was again very relaxed today. She’d also been picking up from Seth through the day some quite amused comments on a variety of subjects we’d mentioned, ranging from “carpets and health” to the “nature of the law, the connection between the law and ideals and their actualization; the reactions of Tam Mossman to our feelings about Fate Magazine,” etc.

[... 4 paragraphs ...]

Ideals are vital, for they provide an impetus toward beneficial action, action that is meant to lead to some actualization of that ideal in fact. An ideal represents events that do not as yet exist in fact. They should serve as plans for concentrated action.

[... 3 paragraphs ...]

You may not achieve ideal solutions with the law, but it should allow practical specific actualization, at least in part, of an ideal situation. You are both quite lucky, in that in your main work you can deal directly with the ideal. In writing and in painting you tackle it. The creative artist is always involved in the expression of the ideal, and his work expresses that ideal as best he can.

In the matter of publishing, or selling paintings, others are involved—others who very rarely in their lives experience that important encounter between, say, the self as actualized and the idealized sensed self, between the painting or the poem as an ideal and the actualization of that ideal. You cannot give such people a general impression of what you want. If you are concerned with such matters as covers that do not live up to your ideals of what covers should be, then you must begin your definitions. Ruburt has primarily been concerned with the ideal that is behind all of his books, and with the practical matter of getting those out into the world. (Pause.) He was willing to put up with a good deal to do so, to overlook lacks of taste in presentation, say.

[... 14 paragraphs ...]

(Pause.) You appeared as both young men. Ruburt appeared as himself, and as Pat Norelli. The amphitheatre stands both for the world, and for the dramatic action of your lives, in which your ideals and aspirations are actualized or played out to whatever extent. The couples show your own double faces. One couple is brave, daring, assured, headed for the center of the stage. The other couple, while headed in the same direction, are frightened of the high ledge that must be covered, and afraid that it can lead to a dead end.

[... 6 paragraphs ...]

I try my best (louder) to define and redefine your ideas of the ideal, so that you can achieve greater practical benefits, and feel some satisfaction with the actualization of at least portions of the ideal in daily life.

[... 2 paragraphs ...]

(10:28 PM. Jane’s delivery had been good throughout the session, and once again she was relaxed now that it was over. Seth’s reference to the poor and nationalized health care referred to material Jane had picked up from him during the day; The poor were actually better off as they are now, without such a national health-care plan, for as it is they’re isolated from and immune to a number of ills they would start falling prey to if they could afford to pay for such treatment—that is, if the costs were paid for them. An interesting point of view.)

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