“Seth material” search engine (Jane Roberts)

The value of the artist was deprecated. Contemplation had little part to play. As per James, it was no coincidence that the beliefs of Freud and Darwin merged so well to form western society’s idea of the self, physically and psychologically. The ideas of financial competition, advocated, came into direct conflict, Joseph, with your own inclinations to be an artist. The ideas of manliness in your society, particularly in past years, were directly tied in with Darwinian concepts and Freudian theory. They operated as suggestion that directed the actions of millions of people, and provided a framework through which they experienced their reality.

To some extent the Freudian self, as per James, more or less followed the same pattern. A man could scarcely trust his neighbor if he agreed with Darwin or Freudian concepts. Behind any altruistic impulse there had to be a selfish gain. Before all of this, however, nature was seen as primarily passive—put here by God for man’s purpose, but without possessing the uniqueness or even approaching the status of man.

Yet those terms influenced you both. You were involved in work that required growing trust of the self. Your painting required it, but Ruburt’s position required it still more. The self could be trusted least of all, however, so that Ruburt felt a necessity to criticize his procedure and performance, lest he was leading you and he both down a Freudian garden path.