“Seth material” search engine (Jane Roberts)

(10:39.) Now: Ruburt early saw your prejudice against galleries. And determined that he would try to circumvent it—hence your sketches in Dialogues; for despite your avid and determined dislike of the marketplace and its imperfections, of which he is more aware than you think, he thought that he would still see to it that your talent was placed to some extent at least before the world —rail as you would against the stupidities and poor craftsmanship. He was determined, protesting or not, that your work would see the light of day, that despite any compromises its merits would appear.

He had far greater faith than you that your artistic integrity would affect Prentice, so that your drawings would emerge mainly as you intended them. You have dragged your feet, my dear friend, fearing that the inadequacies of the physical condition would mar the integrity of your work. You did not understand that your integrity would affect the physical conditions, and the people involved.

Certain muscles have been kept however like coiled rubber bands. They are still strong and vital, but they are being released gently, in a certain order. In physical terms they all work together. Whole groups of subsidiary muscles had been under great tension. As Frank deduced, they are now largely freed. This provides leeway so that the few primary areas now have the freedom for release.