“Seth material” search engine (Jane Roberts)

(9:43.) Give us a moment.... The two of you together through these sessions help to spread certain ideas, yet many people not personally involved actually can use the material at times better—but they could not produce it—a very important point, and so in that area of freedom you are so ahead of the game that ordinary behavior by contrast is sadly lacking. Other people realize your positions in that area better than you do.

Give us a moment.... You both have blind spots, in other words. These appear in Ruburt’s physical condition. They also appear, not in the work you have done, but in the work you have not done. Sometimes you can see Ruburt’s blind spots, and point them out. Occasionally he can see some of yours. The blind spots of course each have to do with the same issues, though you handle them differently.

(10:05.) Now: it is obvious to you that Ruburt uses his symptoms to control his spontaneity, to mete it out, so to speak. You would never take on such symptoms. You should by now understand some of your own characteristics. They are like Ruburt’s, only a different mixture. You have often tried to control your painting, rather than to let it go through you onto the canvas. And precisely when you come to a point of sudden spontaneity in work, then you use the matter of distractions to slow you down. You seize upon them because you do not trust your own spontaneity in your work.