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TPS3 Deleted Session May 26, 1975 8/33 (24%) distractions chores laughable painting novelist
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session May 26, 1975 9:29 PM Monday

[... 2 paragraphs ...]

Now, good evening.

[... 8 paragraphs ...]

Now. In those areas where you are dissatisfied, you are not putting the material to work, for it does work in the most immediate and practical ways.

[... 2 paragraphs ...]

Now. I put this to you—that you spend time in the same way, but in your way, concentrating upon all that stands in the way of your work and concentration, until finally your work time seems consumed. Only now and then do you get on top of those thoughts and imaginings. You spend four times as much time worrying about the distractions as the so-called distractions themselves actually take. In doing so you rob yourself of peace of mind. You imagine future distractions, yet when Ruburt projects his symptoms into the future, you see clearly his error—though he may not.

Now there must be reasons for that kind of behavior. You make your own reality. If Ruburt’s symptoms represent the seemingly negative aspects of his life, then your dissatisfactions about work represent the same in your private experience. You say to Ruburt “You are using the symptoms as a framework of a sort, in which you feel it safe to progress, though, slowly.” Now in your work you are progressing, but slowly—so why do you magnify the distractions?

If you were pleased with your work right now the chores of the house would scarcely take your notice. You would have them done, or do them, but your creative energy and your thoughts would be involved with your creativity, and the chores at times would give you a necessary enjoyed change. The chores you have to do, either of you, are laughable.

(10:05.) Now: it is obvious to you that Ruburt uses his symptoms to control his spontaneity, to mete it out, so to speak. You would never take on such symptoms. You should by now understand some of your own characteristics. They are like Ruburt’s, only a different mixture. You have often tried to control your painting, rather than to let it go through you onto the canvas. And precisely when you come to a point of sudden spontaneity in work, then you use the matter of distractions to slow you down. You seize upon them because you do not trust your own spontaneity in your work.

[... 10 paragraphs ...]

Those refinements that you want of technique are within you now. Only your worrying slows their actualization. Together you can solve both challenges. You can get on top of your lives in these important respects. But you must be willing to do so, and use the methods given. Both of you can help each other. And the results will seem as miraculous, as this house might have, had you suddenly been transported to it ten years ago.

Now take a break or end the session as you prefer.

[... 2 paragraphs ...]

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