1 result for (book:tps3 AND heading:"delet session januari 30 1974" AND stemmed:natur)
[... 12 paragraphs ...]
The painting also, innately now, involves going outdoors, though you seldom paint from nature out in the landscape. Nevertheless, you would be determined to be free enough to do so. The sportsman that you might have been still lives within you enough so that, for example, you automatically stay trim, limber.
Your father’s creativity, as mentioned (in other sessions), before, had its side of secrecy, privacy and aloneness. Again as mentioned, you identified creativity with your father’s private nature. The writing self became latent as the sportsman did, yet the writer self and the artist were closely bound. You felt conflicts at times. It never occurred to you that the two aspects could release one another—one illuminating the other—and both be fulfilled. Instead you saw them, basically now, as conflicting. Time spent writing meant time not spent painting.
[... 7 paragraphs ...]
Ruburt felt he had to protect his writing abilities in the same manner, except that he is by nature more gregarious. He was also poorer than you, and determined never to be so again. The fact that you were not making much money in the framework the two of you accepted, led him to work the harder, determined to publish his work.
[... 16 paragraphs ...]
After not going out for a while the fear would reassert itself, of looking ridiculous and facing people, so there would a time until he again became defiant and conquered it. The love of the sportsman for motion can instead be used to encourage him toward physical performance. He saw, the day that you slept (last Saturday, January 26) that he is always afraid of his performance in your eyes—that he gets up more often when you are not watching. This natural love of good bodily performance however can indeed be used, and most effectively to your joint advantage once you realize its source.
[... 2 paragraphs ...]
Now. The psychic work, which is a natural extension of both of your creative abilities, could not be fully utilized by you, individually or jointly, while you maintained such a rigid, specialized focus. Ruburt feared that it might be taking you from your one true purpose as a painter. Not realizing, either of you, your financial contribution through the works, you felt and so did he, after Artistic, that he carried the brunt financially.
[... 11 paragraphs ...]
Helping Ruburt with the mail is also a financial contribution. It is far more than that, but each of you must understand that you are partners in this endeavor in every part of it. The psychic development did not just occur. Your deepest natures called it out of the probable sequence into your reality—for a reason, because (each of) you knew that it could best develop all of your (respective) abilities to their fullest, and also help others.
[... 10 paragraphs ...]