1 result for (book:tps3 AND heading:"delet session januari 30 1974" AND stemmed:father)

TPS3 Deleted Session January 30, 1974 5/65 (8%) sportsman contribution financial specialized painting
– The Personal Sessions: Book 3 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session January 30, 1974 9:31 PM Wednesday

[... 1 paragraph ...]

(Notes before session: My sportsman self. My writing and painting selves. Father’s secrecy and my identification. My financial contribution. Jane’s fears. Our creative errors. Our attitudes re Prentice. Our attitudes re correspondence. Jane’s flexibility. Her dancing. My selling paintings. Mother.

[... 8 paragraphs ...]

Give us a moment.... Your father’s inventiveness would also be used in the same manner, as source material, by whichever self you chose to become. There are many such choices. I am using three only to show you how those primary aspects of your personality operate now in your present condition.

[... 2 paragraphs ...]

Your father’s creativity, as mentioned (in other sessions), before, had its side of secrecy, privacy and aloneness. Again as mentioned, you identified creativity with your father’s private nature. The writing self became latent as the sportsman did, yet the writer self and the artist were closely bound. You felt conflicts at times. It never occurred to you that the two aspects could release one another—one illuminating the other—and both be fulfilled. Instead you saw them, basically now, as conflicting. Time spent writing meant time not spent painting.

[... 1 paragraph ...]

You believed the painting self had to be protected. For one reason, you identified your painting creative self with your father, and you felt that he had had to protect his creative self in the household from your mother. As these ideas became entrenched, you actually became more concerned with protecting your ability than with using it. You spent more mental energy setting up barriers to protect it, so that any one instance, say, of interruption or conflict, would immediately arouse the power of the buried fear, and become a symbol for it. You learned repression. Therefore, free time was not enjoyed creatively. You could not paint freely in it, for you were so on guard against distractions that anything could distract you.

[... 34 paragraphs ...]

Prentice represented, to you (me), the world you had to protect yourself from, and be on guard against in the business world that had never understood your father—the unartistic, ever out to ruin the artistic product through ignorance, and lack of sensitivity.

[... 13 paragraphs ...]

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