“Seth material” search engine (Jane Roberts)

I suggest you read the session I gave concerning the importance of the person from which the artist or writer springs. I suggest also that Ruburt read it especially. All of the individual and joint inhibitions you have placed upon yourselves spring directly from those specialized versions of yourselves.

When they do emerge, those impulses, he is the one who, after having conquered the earlier fears, finally, hesitantly trying to test his courage, suggests such an endeavor. In the meantime, you (strongly) have never made such a suggestion, nor attempted to arouse him. You say instead to yourself “It is too difficult,” or “It is no longer fun,” or “It is not worth it.”

When such an improvement of attitude does occur on Ruburt’s part, it takes considerable courage for him to take or initiate that first step—and you do not ease the way, but in the meantime go along until he makes such a suggestion first. When you finally do both go out, at the most two or three times in a row, something happens. What could it be?