1 result for (book:tps2 AND heading:"delet session novemb 26 1973" AND all:"all that is")

TPS2 Deleted Session November 26, 1973 14/20 (70%) discordant Masters peace portrait painting
– The Personal Sessions: Book 2 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Deleted Session November 26, 1973 9:31 PM Monday

Displaying only most relevant fragments—original results reproduced too much of the copyrighted work.

¶8

The greatest Old Masters felt the inner self’s great integrity, and its connection with All That Is, and each in his own way through painting tried to represent that energy and show it to others. The energy is behind all. When you look at the great world picture before you in space and time, look at it as you would a multidimensional worldscape, painted by some artist who was all of the great masters in one; and behind the scenes of destruction and conflict, feel the great energy that in itself denies the destruction that is in that case so cleverly depicted.

¶16

It is easy for you to say that your parents did not appreciate what they had, that they looked at the “bad” side of things all the time, but not quite so easy to see those same attitudes in yourselves.

¶17

When you consistently concentrate upon negative aspects you seek them out from your experience and all the available stimuli, until reality certainly does seem to justify your attitudes. [...] If this is the kind of painting you want then at least be aware of it. If it is not, realize that you can at any point in the present begin to alter it and your experience.

¶12

If you believe that you are pulled in all directions you will be. [...] If you believe there is no peace in your world, in your private world, there will be none. [...]

¶14

You can be alone in the silence, fairly isolated, and yet filled with conflict if it is within you. [...] This does not mean that silence at times is not preferable to noise. It means that you make your own reality.

¶4

In your terms and in your probability, your parents’ lives are over, completed, and when in your reality you paint a picture it is finished, completed; and yet even in that context it outlives your completion of it, and endures. Surely lives are as important as paintings, and as such multidimensional creations far outlast the paintings that are representations of the life you know.

¶5

When you have completed a life then it is as if you have finished a living portrait of yourself, using the mediums of space and time. [...] The memories and realities within that portrait are yours to learn from and to use as a model for other such living portraits in time and space.

¶10

[...] Those particular aspirations will lead you, and are leading you, to the realization that life itself is an art, composed of the same ingredients of inner inspiration, spontaneity and conscious organization and discrimination.

¶15

It means that the belief in discordant conditions initiates it. I am not saying that others are not involved, but that discordant thoughts bring about discordant reactions in others, to which they will react according to their own beliefs. [...]

¶7

[...] Some of the Old Masters were adept at painting scenes of violence, warfare, sagas, with dark and dreary atmospheres, yet each so filled at the same time with life and vitality that the canvases themselves seemed alive. Even paintings of great destruction spoke of the great creative energy behind the talent that vitalized the very medium, and by its very creativity denied the very strength of the destruction so cleverly depicted.

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