“Seth material” search engine (Jane Roberts)

When your relationship becomes uneasy to a certain degree, then this impedes the spontaneity that you allow yourself in your paintings. You are at that point trying to shove beneath awareness certain feelings of yours, mentioned in our last session. You are, say, close to the point on noncontact. Inhibited feelings therefore are at their strongest on your part. Considerable energy is used to continue the repression as the pressure from beneath grows.

You would be grateful then when Ruburt did originate such a crisis, simply because the pressure behind the repressed feelings was more painful then, so that it was defeating its own purpose. You helped initiate these crises in your own way then, by intensifying the noncontact behavior that you knew would cause Ruburt to take steps. On occasion you increased your own noncontact behavior when he did not react when you thought he should.

This would cause considerable panic on your part. On the other hand of course Ruburt also expected you to come up with and initiate the noncontact behavior when he felt that your relationship was getting too close for comfort, that his physical love for you might lead him some time to neglect consciously or unconsciously proper contraceptive behavior.

In general Ruburt is more easily spontaneous, for example. Over the years you simply did not allow enough leeway for yourselves, but the overall tendencies are perfectly legitimate. They operate quite obviously, also in your relationship with the world at large. You can put up with noncontact comparatively speaking far better than Ruburt, and will be the first one to draw the line here. As in the other areas mentioned, the more personal ones.

Now give us a moment. Some of this of course can be and has been turned to your advantage. Your tendency toward feeling safe in noncontact situations means that you do not want models in your studio, yet you are highly intrigued by personality. This has led you to develop psychic abilities for creative purposes—that you would not have needed nor sought otherwise.

This noncontact tendency has also had something to do with the fact that you have not attempted to sell your paintings more actively, and all of this fits in with the material I gave you lately along these lines—the male and female connotations.