1 result for (book:tps1 AND session:563 AND stemmed:color)
2/77 (3%)
noncontact
tendencies
spontaneity
role
relationship
[... 13 paragraphs ...]
Now give us a moment. When the point is reached of which I had just spoken, your objectivity comes foremost in your work at the expense of spontaneity. Remember some time ago I mentioned your feeling about oils and the emotions. This is in keeping you see with the fact that you felt more threatened than Ruburt at those boundary-near-contact points. At such times you became more alarmed working with your oils and colors, and wanted a retreat, and sought for greater distance in your paintings.
[... 34 paragraphs ...]
One more sentence: this arrangement automatically sets up artificial barriers between spontaneity and discipline, and colorations that were sexual in nature, leading to deductions such as: spontaneity was dangerous, obviously, since it needed such controls.
[... 27 paragraphs ...]