“Seth material” search engine (Jane Roberts)

It also serves by giving you another message—that you do want to leave, and that your desire to do so has been affecting your work. If you had to stay, and if you will not be given as much money as you think you should receive, then you will see to it that the work will suffer. This is resentment.

Now I am giving you, presently, the picture as seen by your subconscious. The small but frequent breaks in the fine lines represent those times when the resentments break through. The resentment, carried far enough, could affect your work to such a degree that it forced you to leave, which is exactly what one portion of you wants—and that portion does not care how this is done, though it does not want your painting affected.

At work you mar your performance. You did not want to perform well because you are resentful. Then you were resentful over the resentment whenever you became closely aware of it.