“Seth material” search engine (Jane Roberts)

Some of these feelings are also projected upon the apartment house at large, and mask your deep love of your studio, despite all disadvantages.

There is simply a deep difference. Ruburt for example will enjoy and make use of whatever land he has, be it only the dirt in a window-sill plot. He does not have ambiguous feelings to supercharge his reactions in this particular area. To you this apartment house and its grounds are considered in terms of land, and dwelling. You think of the land you do not have. You have not been able to take advantage of the yard or the ground available as positive things of joy and refreshment, and have therefore been denied an extra advantage from this place, and the conditions that Ruburt has enjoyed.

To him other apartments, vacant, that you look at, represent automatically psychic probabilities that intrigue him simply because they exist. No land idea is connected. This does not mean he does not notice or dislike a given neighborhood. The lay of the land with you however immediately overwhelms other considerations, and if there is no land you do not even want to step foot upon the property. These are simply variations in reaction that you should both understand.

You should both have learned enough by now however to sense the psychic vitality or atmosphere of a dwelling. There are advantages and disadvantages in living in a house alone. Everyone in this apartment house is seldom in a bad mood at the same time, for example, so to some extent in periods of normal depression you are sustained by others, close by, who are not.

Simply the idea. Now. To some extent you both overemphasize the differences between you as far as your ideas of a more or less permanent dwelling place are concerned. This has something to do with your lack of action. You can for example find a comfortable compromise between isolation that is relatively complete, and an apartment in the heart of town.