1 result for (book:tps1 AND session:479 AND stemmed:present)

TPS1 Session 479 (Deleted) April 30, 1969 6/70 (9%) parking Halliday sell landlord painting
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 479 (Deleted) April 30, 1969 9:10 PM Wednesday

[... 23 paragraphs ...]

Give us a moment. A period of time where the issue is uncertain on both the part of your present landlord and your prospective buyer. (Florence Halliday, who was once an ESP student of Jane’s.) This, again because of the psychic conditions involved, is highly plastic. The woman wants the house badly. She is stronger because of this desire at this time.

[... 10 paragraphs ...]

As this field is further activated through imagination, emotion and expectation, it becomes more highly charged and attracts to it those elements which it needs to give dimension to those elements already present in the basic version. Do you see?

[... 4 paragraphs ...]

He is only a bully when he suspects that his in quotes now “subordinates” are in rebellion. The inner self is not a subordinate to begin with. It is the power that has been given to you as an identity, its services available to you—that is, available to your present personality, for its use.

[... 1 paragraph ...]

It is your contact with All That Is, but it is up to the conscious mind of the present individual as to how much its abilities will be used and in what manner. The present individual is to learn. The inner self therefore does not overstep the boundaries of the ego, go against the ego’s wishes, or try to force (underline) the ego. It is up to the ego to learn how to use these vast potentials that lie within the inner self, how to use them to help itself and others.

If the inner self took over completely therefore the present personality would not learn on its own. The inner self does offer advice, intuitional help, inspiration, all of these things, but it does not force the ego to accept them.

[... 5 paragraphs ...]

Think how thankful you are to have such a talent. This is most important. Never think that perhaps you would be better off without it, or that it presents more difficulties than those encountered by other men. Be thankful for the talent, be thankful that others appreciate it. See how natural it is that it should be appreciated. Think in terms of the intuitional help your painting gives to others.

[... 20 paragraphs ...]

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