1 result for (book:tps1 AND session:479 AND stemmed:imagin)

TPS1 Session 479 (Deleted) April 30, 1969 5/70 (7%) parking Halliday sell landlord painting
– The Personal Sessions: Book 1 of The Deleted Seth Material
– © 2016 Laurel Davies-Butts
– Session 479 (Deleted) April 30, 1969 9:10 PM Wednesday

[... 11 paragraphs ...]

Tell him then again, easy does it. The imagination is all important. Even be ridiculous with the use of the imagination. Have him imagine for example pillow fights with you, or wrestling on the floor with you. Now it is extremely important that his conscious attention be elsewhere after he has given his suggestions. I suggest the following: that he worked at his writing certainly no less than four hours a day, preferably five; and that a portion of this time be given to poetry.

[... 1 paragraph ...]

Now this is a necessity: the Psycho-Cybernetics for at least fifteen minutes, no more than a half hour, in which time he allows his imagination full imaginative play, positive play, where he is writing well, enjoying his body, where his pursuits are succeeding. He does very well at this, but during this time have him concentrate on the imagination, and not give conscious suggestions to himself for he then becomes too heavy-handed.

[... 20 paragraphs ...]

As this field is further activated through imagination, emotion and expectation, it becomes more highly charged and attracts to it those elements which it needs to give dimension to those elements already present in the basic version. Do you see?

[... 11 paragraphs ...]

Imagine vividly an empty space on the wall in place of any painting now hanging there that you wish to sell. Imagine yourself wondering what to put there now that the painting has sold. See yourself discussing this with Ruburt.

Now. Imagine someone asking you if you have sold any paintings lately. See and hear yourself telling them (long pause) that you are selling more paintings than you ever believed possible. See an envelope marked with painting money and see it stuffed full of painting money that you have received from your paintings. Imagine how you will spend it.

[... 21 paragraphs ...]

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