“Seth material” search engine (Jane Roberts)

Now it is true that two individuals in particular who have left physical reality have been trying to help Ruburt, particularly in the dream state. These two initially were contacted by Edwards. They carry on conversations with Ruburt and on an entirely different level than the normal conscious one.

Tell him then again, easy does it. The imagination is all important. Even be ridiculous with the use of the imagination. Have him imagine for example pillow fights with you, or wrestling on the floor with you. Now it is extremely important that his conscious attention be elsewhere after he has given his suggestions. I suggest the following: that he worked at his writing certainly no less than four hours a day, preferably five; and that a portion of this time be given to poetry.

Now this is a necessity: the Psycho-Cybernetics for at least fifteen minutes, no more than a half hour, in which time he allows his imagination full imaginative play, positive play, where he is writing well, enjoying his body, where his pursuits are succeeding. He does very well at this, but during this time have him concentrate on the imagination, and not give conscious suggestions to himself for he then becomes too heavy-handed.

The prayer series should be continued. In this period let the conscious suggestions be given with emotion and feeling, and then have him forget all about them. He does not need to give himself conscious suggestions every fifteen minutes. This is too much like clock watching.

Once begun it contains its own motive power then, repelling those elements that do not fit in with its sense of unity, and attracting those that do. All of this goes on before any event appears in physical terms, in the same way that much creative activity goes on hidden in your mind, behind each movement of your hand as you apply paint with a brush to a painting. You see the color and the brush strokes but you do not see the inner workings that led you to produce those particular brush strokes. You know they are there, the inner meanings, but you do not see them in physical terms. You see instead their effects in the color, the brush strokes and the painting.

Now you give yourself conscious direction by taking it for granted that you paint well, by trying to see the completed painting in your mind. This is the function of the conscious self, to use the emotions and expectations to bring about a desired result.

You then let the motive power within take over but you do not try to bully it. If your conscious mind is to be a foreman he must be one who is easy to get along with, and not so authoritative that he is yelling demands all the time. He is to be a gentle director and not a bully.

It is your contact with All That Is, but it is up to the conscious mind of the present individual as to how much its abilities will be used and in what manner. The present individual is to learn. The inner self therefore does not overstep the boundaries of the ego, go against the ego’s wishes, or try to force (underline) the ego. It is up to the ego to learn how to use these vast potentials that lie within the inner self, how to use them to help itself and others.