“Seth material” search engine (Jane Roberts)

I suggest the exercising images be executed in the time now given to the relaxation exercises, and replacing those in the book (Psycho-Cybernetics). Let him imagine himself performing varied vigorous activities until he is nearly exhausted, and then imagine the ensuing deep relaxation.

At the same time you threatened yourself with the possibility of complete failure as an artist, almost in retaliation. (Pause, one of many through here.) You would not (underlined) be a full time commercial artist, regardless of any old demands, though you felt still somewhat guilty at your refusal.

The tremor represented guilt here, but also a threat, for you thought: before I will do this full time for money, my hand would fail. The tremor served two purposes in this respect. Your mother, incidentally, has largely given up focusing upon your artistic career in any way. She now simply wishes, as Ruburt knows, that you had taken up another profession. (And as I know now.)

Within your allotted time schedule try to give yourself more freedom. Again, also speaking before thinking. Do not be afraid of making errors in your paintings, but trust your inner self. This will also help your hand. (Pause.)

Now, Ruburt, follow through on the program, but do not be overly concerned on a conscious level. Give the inner self spontaneity and freedom to work out solutions. Leave your subconscious alone for now. Just for a time, and let it rest.