“Seth material” search engine (Jane Roberts)

These emanations can also appear as sounds, and you will be able to translate them into sounds long before your scientists discover their basic meaning. One of the reasons why they have not been discovered is precisely because they are so cleverly camouflaged within all structures.

I will try to clear this later, but the air is the result of these units’ existence, formed by the interrelationship of the units in their positions and relative distance one from the other, and in what you could call the relative velocity of their motion. Air is what happens when these units are in motion (pause), and it is in terms of weather that their electromagnetic effects appear most clearly to scientists, for example.

Now, this session also will not be a long one. Ruburt has been using his energy in his book, and I do not begrudge it.

The fear was of an overreliance upon structure. This occurred to you one afternoon, three days before the dream, as you were working.

I would appreciate it, dear friend, if you let me continue for now, though I understand why you want to know. This is not a rebuke. (Smiling.) I simply did not want to be interrupted. Give us a moment. (Pause.) I do not know the specific painting, although a round object was involved. It was I believe one of the pieces of fruit. The idea flitted through your mind and you did not grab hold of it, but it worried you.

(I asked about which painting was involved because I wanted to be clear about the two most recent I’ve been working on. Seth verified that the little still life of fruit is the one concerned. The October 9 date would be, I believe, either the day I began this painting, or shortly after I started it. The data is very good, and is presented in a way in which Jane does not consciously—at least—think. I was concerned about form in this painting, and this concern, linked up with composition, gave me quite a little tussle in this painting. Form and composition usually are easy for me.

The doctor, the figure, represented your artistic intuitional creative self, your potential self in those terms, to whom you looked for advice and help. You had to climb up, symbolically, but the ladder you see was one-directional rather than crooked, and this shows that the road is clear.

Also, there was someone at the top of the ladder, indicating both the source and the potential of your abilities, also their uplifting tendencies. Had no one been there, you would have been in trouble. You were also making your own way up the ladder, this indicating your knowledge that your own efforts are involved.

You were alone, on your own ladder, indicating the unique quality of the achievements for which you are striving. That is, you are not imitating, and more than this, you will be making your own way into a niche that no one else has taken.

(I got the idea for this little landscape while driving through the country in Pennsylvania a few weeks ago, on one of the regular trips Jane, my mother, and I take to see my father.