“Seth material” search engine (Jane Roberts)

(I asked about which painting was involved because I wanted to be clear about the two most recent I’ve been working on. Seth verified that the little still life of fruit is the one concerned. The October 9 date would be, I believe, either the day I began this painting, or shortly after I started it. The data is very good, and is presented in a way in which Jane does not consciously—at least—think. I was concerned about form in this painting, and this concern, linked up with composition, gave me quite a little tussle in this painting. Form and composition usually are easy for me.

(This time I had to work hard before resolving the problem after a couple of days. The painting is almost done now and appears to be successful. It is something of a new departure for me, and embodies a lot of the things I’ve learned doing my portraits for the past year or so. I hadn’t said anything to Jane about my concern with this painting; in fact, everyone who saw it in progress, even at the beginning, seemed to like it, remarking especially upon the form and composition.