1 result for (book:tes9 AND session:451 AND stemmed:composit)

TES9 Session 451 November 25, 1968 2/64 (3%) center trance formulas pierces spirals
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 451 November 25, 1968 9:05 PM Monday

[... 5 paragraphs ...]

There will be a core within your own paintings, from which the whole composition springs, and it is here that you can find rapport with the center of your self. The center contains condensed knowledge, not only of seemingly past lives, but also of the future. Of this, in your work, you create a new dimension.

[... 10 paragraphs ...]

A too-rigid rendition can frighten the subject by imprisoning him within the moment, from which it seems he cannot escape. Obviously the technique can be as realistic as you like, however. It is that the lines, seeming so realistic, also symbolically suggest what the viewer himself cannot see in his own face, but knows is there. And so the landscape, not one but many landscapes in one, for while it is unique in a given moment, still it is a composite in your terms of the pasts that have formed it, and the futures that act upon it even now.

[... 46 paragraphs ...]

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