1 result for (book:tes9 AND session:444 AND stemmed:creativ)

TES9 Session 444 October 30, 1968 5/88 (6%) Holzer Fodor robed Mossman Nandor
– The Early Sessions: Book 9 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 444 October 30, 1968 9 PM Wednesday

[... 6 paragraphs ...]

Such an arrangement would indeed allow more freedom and creativity than usual. However this is not the case. There is instead not a working arrangement between various portions of one personality, but a working arrangement among many quite independent personalities. They exist in various dimensions, and all of them have access to knowledge that Jane does not possess.

[... 41 paragraphs ...]

Ruburt has always been highly involved with Jane’s writing, imparting intuitive truths, and Jane’s psychic abilities were precisely what made the inspiration possible. You cannot separate creative and psychic ability. When Jane seriously questioned her psychic nature, she was without realizing it questioning also the basis of her own creativity, and this interfered with the writing.

[... 1 paragraph ...]

I am telling Jane therefore that the channel is open for creative inspiration from Ruburt, and the channel is clear. Ruburt can also be counted upon when it is advantageous to interpret my material, though he could not himself originate it.

Now this information should be highly useful to Jane. Ruburt has at times for that matter passed information from me to Jane. Now it is Jane’s (underlined) responsibility as a present physically oriented creature, to use the psychic and creative abilities that she has to their fullest, and as a legacy to help others.

[... 3 paragraphs ...]

The same is true of entities and various personalities that are allied with them. Your own creativity, your painting, has always had a psychic basis, and in your case—back to our analogy—self 3 has helped you. Self 2 followed the same path, relatively speaking, as Ruburt’s self 2. You had better substitute Jane there.

[... 31 paragraphs ...]

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