“Seth material” search engine (Jane Roberts)

—what it is like to speak through Ruburt. Now, that has never been done.

—the problems involved in educating what your friends refer to as the Buttses, and the various interchanges between you, Ruburt and myself. It would include the ways in which perceptive mechanisms operate, the manners by which I must activate Ruburt’s associative patterns in the case of clairvoyant information, and what your life looks like to me who observes it from such a unique perspective.

It would involve a look and an examination of your system of reality as it appears to me. It would include my statements as to how these communications take place, and what manipulations are necessary from my side.

Such a book would do much to explain how the medium is led, wherever possible, to make those correct statements that add up to almost what your parapsychologists like to call a hit—for she is almost literally hit with them.

(Smile.) I would of course provide the reader with a statement of my own background, and to some extent compare my attitudes toward your system of reality, for when I lived within it my opinions were far different than they are now.

I would make clear the nature and conditions in which I now have my existence, and explain some of the reasons for the various, often contradictory, statements made concerning life after death. Statements received by various mediums, in which quite different pictures of afterlife reality are received.

Such a book would also include, of course, my methods of entry into your system, and the sort of psychological bridge personality that results. For what you have during sessions is not really my complete identity. (Pause.) Your reality cannot include all that I am. There must be some sort of psychological structure present for me to use during my communications, generally speaking.

At times however my identity comes through, and my reality, so clearly, that comparatively speaking (underlined), I can exist independently as myself without Ruburt’s usual assistance.

(“Well, I’m sure Jane would like to know what she would be writing while you’re giving us this book.”)

You do not have to be afraid of going along with what these sounds represent. You will not lose your sense of isolation nor your individuality. This is basically behind your reaction, having to do with your early life. You felt your mother’s liveliness and vitality threatening, for it was not disciplined in any manner, but erratic.

Used, they can help you fulfill yourself to the utmost. There is no coincidence that it is the left ear involved. You have used the symbolism of right and wrong. The right ear, the wrong ear, bothers you for you do not want to hear what you consider the bad sounds. The left ear and the left portion of the body generally also are connected with the unconscious. And the sounds are somewhat connected with your feeling toward oil paints. Do you see the connection?

Crystallization follows crystallized experience. Art comes from raw emotion, within your system at least, that is then crystallized and disciplined. The seemingly chaotic is recognized, felt, and then put into patterns. What is not generally understood however, is that the seemingly chaotic experiences do have purpose. The state of your inner physical organism, viewed from another perspective, is a chaotic one, but it works to find purpose.

Now voice, by its definition, is aggressive, and it presupposes barriers, for you hear only within certain ranges. Now imagine what these sounds would sound like from the other end. There you cannot hear them. And imagine the impact made within space, and the infinite dance of atoms that result.

Realize also, and I am sure that you do (smile), that the sounds penetrate the matter of your body. Imagine their realities in other than auditory ways.