“Seth material” search engine (Jane Roberts)

We would enjoy such an inside-out arrangement. (Pause.) Give us a moment.

Such a book would also include, of course, my methods of entry into your system, and the sort of psychological bridge personality that results. For what you have during sessions is not really my complete identity. (Pause.) Your reality cannot include all that I am. There must be some sort of psychological structure present for me to use during my communications, generally speaking.

All of this of course would be explained in detail. (Pause. Jane’s pace had slowed considerably by now.) Ruburt could if he chose, add his own notes and comments, for his experience in our sessions is vastly different from mine. (Pause.) Such a book would have nothing whatsoever to do with Ruburt’s writing, which should progress at its own rate.

(Pause at 9:30. Jane, as Seth, leaned forward, intent and amused.)

Give us a moment here. (Pause.)

The man at Prentice-Hall (Tam Mossman, an assistant editor), simply overstepped, as you both suspect. There seems to be another man involved also, who is cautious. Beside the woman referred to in the phone call. (Long pause.)

Alice. (Pause.) The name Grossman also comes to mind, but I do not know the connection. (Cecile Grossman was an editor at Prentice-Hall then.) Mossman has an uncle, I believe, of whom he is fond, or was fond. The name Albert comes to mind. A 1962 engagement or marriage.

A fragment from the past, pertaining to a child. An initial encounter with the business world that was unpleasant. (Pause; one of many in here.) Mr. Mossman has a tendency to go overboard. A grandmother and a connection with a star. I do not know the connection—perhaps her name was Bright.

Two brothers and something wrong with one leg. (Long pause.) A disagreeable, I believe, family situation in 1953 for him. (Long pause.) A mild astonishment or surprise for him, having to do with something French or foreign. (Long pause.)

Miss Carr, (referring to Tam’s immediate boss) a spectacular enough achievement early in life, I believe. Two daughters or two women close to her. The name Fred. (Pause.) 34. A telling advancement. An unknown quantity three years ago. Connection with a W. (Long pause.)

It may have the air of a series of lectures, but I shall see to it that they are interesting ones. I will add whatever is needed in the nature of demonstrations as we go. (Long pause.)

Now I have an experiment for you. You may not think much of it. (Pause.) But try it.

The exercise will do much to override this, for you are strong enough and you need inner freedom. There is behind such seemingly undirected, abstract tumult and energy, direction that cannot be intellectually perceived, but can be intuitively sensed. And this is the force that is behind your own art and all creativity. (Pause.)

(10:52. Jane did not respond, sitting quietly, so after a short pause I said good night to Seth on the assumption that the session was over. But she then resumed as Seth.)

(Pause.) Now a musician translates visual data as though it was an auditory pattern; recreating say, and interpreting a bowl of grapes as a particular medley of musical notes.