“Seth material” search engine (Jane Roberts)

(His head was bare and his hair blowing in a wind. The portrait was life-size, from the knees up, very dramatic and bold in concept and detail, and very effective pictorially. I was delighted to see it, and was at once sure I was capable of producing such a work. The Gallaghers visited us Saturday evening, December 2. I did not see them arrive, but witnessed their departure. I had not mentioned the vision to them, and asked Jane to wait before she did so. As Bill Gallagher walked down the hall away from us upon departing, I saw that he wore a long black coat with I believe a hood upon it—a garment quite like that he wore in the vision, and one I possessed no special knowledge of in his wardrobe.

You are allowing yourself more inner freedom again, and so you permitted yourself to see this. There were some—some (underlined) distortions, simply because the painting was interpreted in the light of your present knowledge. (Jane lay flat on her back on the divan.)

There are some significant differences here you see, in my knowledge and Maltz’s interpretation as given in his book. To the extent that you fail to materialize your potentials in physical form, you have failed in a given physical existence. The knowledge that the forms and the paintings are there, however, is all-important.

Now this whole self is completely unique, yet the energy that composes it is a part of the energy that also is the ground of being, for all other consciousnesses. Therefore when you are true to yourself, when you materialize these paintings clearly, there is also (Jane pointed at me emphatically eyes open wide) within them a ground of knowledge, intuition and being, that is instantly felt by all other individuals.