“Seth material” search engine (Jane Roberts)

(There were of course all manner of in-between motions given by the table also, hard to describe in words. The pressure manifested, of course, held our intense attention, since this is so diametrically opposed to our usual unthinking acceptance of the gravitational force. Jane requested A A to manifest pressure often, and usually A A, or the table, obligingly did so. Everything seemed to work together in perfect order—table, our moods, etc. If one chose to call a full levitation 100%, then our evening could be called 90% successful.

(When we asked for a full levitation, it seemed the table did its best to achieve this, getting all legs off the floor except the last tiny point of contact of the third leg; it would then go in circles beneath our hands, or begin to dance about, eventually. I cannot recall whether pressure was apparent at such times. I am tempted to say that it probably was not as strongly present as at other times when we frankly requested pressure in order to experience it. At just about all times one or more of us was talking to the table, exhorting it to go on, to better its performance, in most positive tones.

(One must exert the downward pressure in a manner directed away from the body while experimenting, in order to maintain the balance and center of gravity, and at least when experimenting this necessity to push down and away from oneself is quite noticeable. When the table is performing well it seems that a direct downward pressure, applied to the edge of the tabletop, is required to overcome the force. The direction of this downward push is quite different, we believe at this stage, from the experimental down-and-away thrust. But more study is required here, and with this knowledge in mind, we will try to more accurately assess the table’s performance at future sessions.