“Seth material” search engine (Jane Roberts)

(Carl had a brainstorm; we placed our bathroom scale on the tabletop finally when the pressure was “going good,” and requested A A to continue building up the pressure so that Carl, who was on the side of the table manifesting the pressure at that time, could measure the force he used to get the table back on the floor solidly. A A obligingly built up the pressure again; pressing down, Carl saw that he used a hand pressure of 70 pounds, as measured by the scale, to get all three legs of the table back on the floor, whereas usually gravity would effortlessly draw the legs back to the floor when our fingertips were removed.

(Needless to say, when Carl or whoever was measuring pressure on the scale, the other three took pains to see that they were not subconsciously exerting a heavy pressure on the other side of the table,thus forcing a stronger response across the tabletop to get the legs back on the floor. Such checking was easy to do; nevertheless conscious deliberate checks were constantly being made to make certain opposing pressures were not unwittingly being exerted. Most of the time our hands touched the table so lightly that it could move quite freely beneath them, seemingly of its own volition. This steady checking has the added advantage that it serves as a protection against any possible hallucination [although this would have to be a mass effect, and highly unlikely]; the checking in a deliberate manner was a good method to keep one’s feet on the floor, so to speak, even if the table was acting contrary to gravity.

(When we asked for a full levitation, it seemed the table did its best to achieve this, getting all legs off the floor except the last tiny point of contact of the third leg; it would then go in circles beneath our hands, or begin to dance about, eventually. I cannot recall whether pressure was apparent at such times. I am tempted to say that it probably was not as strongly present as at other times when we frankly requested pressure in order to experience it. At just about all times one or more of us was talking to the table, exhorting it to go on, to better its performance, in most positive tones.

(Carl, being big and strong, could hold the table as he did, with but one hand, the arm extended straight out, for some little time. At the same time we requested levitation. Abruptly the table, still in Carl’s grasp, vaulted up toward the ceiling of our living room, very rapidly, until it was upside down to the floor and beyond our reach, except for Carl, who still held on. Carl said he had not consciously made the maneuver, and he appeared as surprised as we were. Later he told us he was afraid the table would either crash into the ceiling—since Carl was tall enough—or would hit a nearby wall where several of my paintings hung.

(Nor of course does the question involving the downward thrust explain other peculiar table motions, such as pirouetting, vaulting into the air, dancing, etc, since with these motions no great hand pressure is maintained. In fact, it is often extremely difficult to maintain fingertip contact with the table, so rapid can its movements be.

(Even so, when all present withdraw their hands from the table, no matter what its antics have been, as soon as all contact is withdrawn the table falls back into normal floor position.

(This evening the table did not vault into the air as it had Wednesday, but was nevertheless very active. The pressure soon was so pronounced that it was unmistakable; all agreed that they experienced it. To save time listing a long recital of varied antics: later in the evening I stepped away so someone could take my place at the table. Jane had already done so. Meaning of course that the table performed as well without Jane’s hands upon it, as it did when she touched it.