“Seth material” search engine (Jane Roberts)

(I repaired the broken legs with nails and glue, to insure a strong job; before, the legs had been merely dowel-fastened. This Wednesday evening the table performed as follows: Irish jigs upon request, vaulting up into the air while in Carl’s grip, chasing around our backs as Carl held it while we tried to keep up with it, skittering across the rug, knocking back and forth, and building up a very strong pressure indeed, when we tried to force the leg up in the air back down to the floor, or rug.

(The table was active until after 1 AM. One other distinctive movement involved a seeming vault into the air while Carl held the table at arms length. This tipped the top vertically to the floor, and the other three present touched the top lightly. At first the table seemed to move Carl around in circles, continually being ahead of him, in that it ended up by twisting Carl’s arm awkwardly behind him; this made it very difficult for Claire, Jane and me to keep contact with the top. At the same time Carl insisted that he was not deliberately twisting the table this way around himself. The twisting was rapid.

(Nor of course does the question involving the downward thrust explain other peculiar table motions, such as pirouetting, vaulting into the air, dancing, etc, since with these motions no great hand pressure is maintained. In fact, it is often extremely difficult to maintain fingertip contact with the table, so rapid can its movements be.

(This evening the table did not vault into the air as it had Wednesday, but was nevertheless very active. The pressure soon was so pronounced that it was unmistakable; all agreed that they experienced it. To save time listing a long recital of varied antics: later in the evening I stepped away so someone could take my place at the table. Jane had already done so. Meaning of course that the table performed as well without Jane’s hands upon it, as it did when she touched it.