“Seth material” search engine (Jane Roberts)

Now, my dear young man. You may indeed sit there and observe me. But I also sit here and observe you, whether or not Ruburt’s eyes are opened or closed.

Now. (Eyes closed, smiling, Jane leaned toward Pete.) Now, my dear young man, quite innocently, you have made an early and understandable error. (Smile.) You will forgive me, for my slight amusement is also tinged with rather compassionate understanding. In the attempt to use your ability, to probe into the future, you allowed yourself to take more upon yourself than you should have.

Now. A man, sometimes mustached, brown hair and mustache, in the prime of life. Two front teeth more yellowed than the others. Likes to walk on Saturdays or Sundays, a walking man in any case. A nasal voice, he used frequent extra breaths between words or sentences and many ahs between words, you see, or syllables, as: well—ah—.

There is a storm in the past, a physical storm, in which this man loses some animals. There is a connection with barns here.

(While speaking for Seth, she had a mental image of a back room, and an “impression” of a storm. She also felt she had looked at a photograph, but could not say whether of a man or a woman; perhaps an old-fashioned photo. Jane said she feels it is “her end of the deal” not to block the material.