“Seth material” search engine (Jane Roberts)

(Pause.) Do not ask any questions here. These are merely loose impressions. A bad stumble. Difficulty with a third vertebra (pause), leading to unequal nerve pressures. The condition originating in one incident some time ago, and further aggravated by a second incident in more recent times. (Pause.)

I am going to speak freely and again no questions now. We will clear up what we can when we can; but allow the impressions uninterrupted flow.

An R, the letter R, J, or an R and a J, being the initials of one name, or the first initial of two first names. (Pause.) In an Australian connection. A room (pause) that appears bare, though it is not necessarily, giving the impression of more size than it possesses. This is an Australian residence.

The hair at one time a rather odd gray—a strange darkish gray. I believe a mole here (Jane touched her right cheek); though it may not be a mole but some facial characteristic here, you see. (Touch again.) A voice with a clicking sound. I believe these impressions referring to the grandmother.

The impression of an extra back room, not used for daily living—for storage perhaps or mementos, and so forth. Perhaps it has some old rather elaborate furniture in it, stored, that had been used before by the family. Some fairly valuable objects.

(While speaking for Seth, she had a mental image of a back room, and an “impression” of a storm. She also felt she had looked at a photograph, but could not say whether of a man or a woman; perhaps an old-fashioned photo. Jane said she feels it is “her end of the deal” not to block the material.

Again these are impressions.

There will be a great emphasis upon certain emotionally charged impressions. This means that you will perceive certain impressions that have a particular emotionally-charged origin, more easily than you will perceive others. This is because both you and Ferd have had similar events occur in various lives, and your subjective association patterns are similar also.