1 result for (book:tes8 AND session:350 AND stemmed:work)

TES8 Session 350 July 6, 1967 9/77 (12%) jealousy Catherine temperas oils lingering
– The Early Sessions: Book 8 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 350 July 6, 1967 9 PM Thursday

[... 27 paragraphs ...]

Now. The duality in your own psychic condition, Joseph, would have eventually destroyed your capacity to work.

[... 1 paragraph ...]

Ruburt would have continued to work, though physically quite incapacitated. These conditions however would not likely have resulted. You both had something very strong working for you, still strong enough to help, and that was the creative intuitive nature, which would have in one way or another made the facts plain.

The time element however could have been lengthened. Both of you actually decided that the situation had gone too far, and had telepathically communicated. The strength of Ruburt’s telepathic communication terrified you because you then felt the terrific burden that had been upon you, and this set you to work with the pendulum.

[... 1 paragraph ...]

He did not work on his book, incidentally, because he felt you did not want him to. (Long pause.) You resented it when he began typing some of the sessions. (I thought this was my idea: RFB.) You felt he was trying to deprive you further of your part. He felt particularly poor at your parents because there he felt under combined attack. He does have a natural aggressiveness also however, and a rebellious nature.

[... 17 paragraphs ...]

Dating back, Ruburt’s barriers about the work area were also barriers against you. At times before he buried the feeling, he resented it when you sat at his (underlined) table. Do you recall?

[... 11 paragraphs ...]

Ruburt’s arms, now—he wanted to rock himself in comfort. (Jane cradled her arms in this characteristic gesture.) The elbows then bent, straining toward this position, representing a need for comfort, and the attempt to comfort himself. The fingers, connected with his work… Here he refused to budge. They could have been so bad he could not type, and this he did not allow. They still represented his feeling that his writing was a threat to you, and were a reminder of the whole situation. They were also fat however, for he still considered them powerful in regards to his work.

I suggest we end the session. You would do well to paint your entire room. (The studio.) It will clear your mind and help your work. I will speak briefly about this if you are not tired.

[... 3 paragraphs ...]

The difficulty with your work indeed involved the situation we have been discussing. I may speak quickly here.

[... 2 paragraphs ...]

Symbolically now, you transformed the subconscious feelings into the sparkling temperas. Working with the meticulous temperas, you actually worked out inner problems in a way that was not frightening, and gave you a sense of challenge and accomplishment.

[... 5 paragraphs ...]

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