“Seth material” search engine (Jane Roberts)

The bookcase did represent a changed attitude on your part, for the better, and he also knew this.

Ruburt’s arms, now—he wanted to rock himself in comfort. (Jane cradled her arms in this characteristic gesture.) The elbows then bent, straining toward this position, representing a need for comfort, and the attempt to comfort himself. The fingers, connected with his work… Here he refused to budge. They could have been so bad he could not type, and this he did not allow. They still represented his feeling that his writing was a threat to you, and were a reminder of the whole situation. They were also fat however, for he still considered them powerful in regards to his work.

You felt oils murky, representing the subconscious hidden fears and desires of which you were frightened. You considered them threatening, too easy, oils. Explosive, you see. (Pause.) The temperas meant discipline, but every tempera you did contained an oil within it.

There is a darkness in the oils however which you find frightening, and a heaviness, you see. You were afraid of letting go with oils, for fear of facing the subconscious forces they represented. (Again, excellent data.) The color of your studio is a good one.