“Seth material” search engine (Jane Roberts)

Now. We are speaking of probabilities, my friend. Your own wishes, expectations and attitudes gave rise to this assignment from your acquaintance, Ward. You did this quite unconsciously, and you made the contact in a dream, to your friend Crowley, sometime ago—approximately three months I believe.

(To my surprise last Friday, October 21, I received a call from an old friend, Bill Ward, with whom I used to do comic books about 1940-2. He asked me to help him, probably on a regular basis, with some work, and I said yes. The work, involving inking, arrived Sunday. Wendell Crowley is a boyhood friend of Ward’s, and also an old friend of mine; he was my editor in New York City for some years after World War II. I was working with him in the early 1950’s. Also, see Session 290.

Take into consideration now probabilities. But I do not believe you are finished with Ward and his friends. There are even some possibilities for relationships with a second generation. You brought about this opportunity, and you will now deal with it, in your own way, in physical terms.

(Distortion probably operates here. Note that the bill used as the object has blue lines upon it. Bill Ward’s artwork arrived in a large rectangular package, but contained no tissue paper and bore no ribbons or string; it was instead sealed with tape. Nor did it contain any blue. Jane thinks she may have received accurate-enough data from Seth about a package, and constructed perhaps the ribbons herself because that is symbolic of packages. She used blue ribbons perhaps through a distortion of the blue pertaining to the envelope object.