“Seth material” search engine (Jane Roberts)

He then mentioned your name when an opportunity for you was presented. This is as far as you went. You wanted the opportunity. You wanted to see if you could find work that was not dependent upon this locality. You were curious also as to whether or not this kind of commercial art could pay off, and yet be held in check.

All you wanted was the opportunity, once again you see, to decide whether or not you could use commercial art for your own purposes, and you created the opportunity for trial. Now, simply write this down. S. Period. C. Period. These are capitals. An office on 42nd street in New York City. A man with short gray hair, somewhat portly, but with a boyish-type face. He could end up as a Dutch uncle, as you say, if you continue with this sort of endeavor.

(There is another possible green connection, one obvious to anyone familiar with printing or commercial art, although I do not think it applies here. But the paper the object is manufactured from is a bright yellow, and the yellow is printed upon with blue ink. Blue and yellow ordinarily would print green. But in this case the blue ink is so dense and strong that it prints as blue on the object. No hint of green is to be seen. Jane is not aware of these mechanical points.