“Seth material” search engine (Jane Roberts)

Six. Now perhaps April 6. Also a November circumstance. A border. Blacks that speak loudly. Vivid verticals. Some connection with, is it—ablutions or washings, and with some kind of festival type thing.

(Bill’s letter outlined the steps necessary to finish the job, which consists of five pages of a comic type story, in pictures and text, for a men’s magazine. My job is to do the backgrounds and to add gray, black and white halftones with the pencils. Bill refers to any problems in his letter, how to get in touch with him, etc., and implies that I answer it. I have already done so.

(“The colors gray and/or white.” Another reference to the work Bill Ward sent to me. The art is to be done in shades of black to white, without other colors, and will be so printed.

(“Blacks that speak loudly.” Again see page 115. The heavy type for The Art Shop on the bill is prominent; when Jane opened the double envelopes and saw this she said it was black printing. Actually it is in dark blue ink against yellow paper, appearing almost black.

(I am also of the opinion that the three pieces of data just preceding this: A border; blacks that speak loudly; and vivid verticals; might be said to apply to the artwork as much as to the envelope object itself. Legitimate connections would still apply.

(1st Question: What color is the object itself? “I am not sure. I will say on the order of a gray or silver metallic color, mainly.” See the gray and white data on page 122. It appears that the above is another reference to the art work Bill Ward sent me, since it contains grays done in pencil as well as black ink; the grays can easily look metallic when a certain density is reached, for the graphite in the pencils acquires a dull sheen, similar to an aluminum look.