“Seth material” search engine (Jane Roberts)

Such dreams do not basically imply a return to a distant past, for to the cells all things are present. (Long pause.) This reality is a basic part of your present existence, and simply represents a dimension of actuality that the ego cannot, by its nature, admit.

Now, the future is also present in cellular consciousness. The ego, again, simply censors dreams from the cellular consciousness level when they deal with time that is not yet physical in your terms. Cellular consciousness is usually considered as simply a repository for past knowledge having to do with personal or racial existence. Because of the spacious present however, cellular consciousness also contains blueprints of the future.

In your dreams, in other words, you are familiar with images like the mammals and reptiles, that would seem not to belong to the present. These however would seem to belong to the future rather than to the past, and these you forget almost instantly, as a rule. This does not mean that some individuals do not recall them.

(“The photograph connection is strong [pause] but I do not believe the item is this precisely.” [Pause.] Seth tried to help Jane discriminate here, as he often does. Tonight’s object of course is not a picture or photo, but an envelope that contained a letter about people who make pictures. Also, I was taking pictures of Jane last week, as explained. Thus it can be seen how all such related data, even though separated by much time, comes together in these session experiments. This particular chain of association was not anticipated by me when I picked the Crowley envelope as object for tonight. The two studio settings—the studio I worked in with Wendell Crowley in 1941-3, and my present studio, are separated by as much as 23 years.

(See the 286th session for Seth’s discussion of these envelope experiments—why and how he presents the data, etc.

(Two studios, meaning the studio of 1941-3, and my present one.