“Seth material” search engine (Jane Roberts)

It seems some connection with cars or transportation. My fair lady—I do not know to what this refers. (Pause.) A string, as of lights, or pearls, in a string of succession, of items in succession.

The photograph connection is strong (pause) but I do not believe the item is this precisely. (Pause.)

(“A string, as of lights, or pearls, in a string of succession, of items in succession.” We interpreted this as a possible reference to street lights at first, or a theater marquee, since the reunion was held at night, and nighttime travel would involve lights, etc. But “items in succession” could just as well refer to words in succession—i.e., the letter that had been enclosed in the envelope object or the printing and typing on the object itself.

(“The photograph connection is strong [pause] but I do not believe the item is this precisely.” [Pause.] Seth tried to help Jane discriminate here, as he often does. Tonight’s object of course is not a picture or photo, but an envelope that contained a letter about people who make pictures. Also, I was taking pictures of Jane last week, as explained. Thus it can be seen how all such related data, even though separated by much time, comes together in these session experiments. This particular chain of association was not anticipated by me when I picked the Crowley envelope as object for tonight. The two studio settings—the studio I worked in with Wendell Crowley in 1941-3, and my present studio, are separated by as much as 23 years.