1 result for (book:tes7 AND session:290 AND stemmed:empti)

TES7 Session 290 October 3, 1966 5/121 (4%) Wendell tunnel studio reunion Crowley
– The Early Sessions: Book 7 of The Seth Material
– © 2014 Laurel Davies-Butts
– Session 290 October 3, 1966 9 PM Monday

[... 1 paragraph ...]

(The object for the 72nd envelope experiment was an empty envelope, as shown. I kept the letter that had been enclosed in the envelope for reference, and as expected needed it to decipher some of Seth’s data. The object was a standard white business envelope, printed and typed in black. The back was blank. I sealed it in the usual double envelopes after placing it between two pieces of Bristol board. Jane had seen the envelope in a casual way upon its arrival here last May, but not since then.

[... 52 paragraphs ...]

(See the tracing of tonight’s envelope object on page 71 and the notes on the next page. The empty envelope used as object was mailed to me last May 26,1966, by an old friend, Wendell Crowley, and contained a letter detailing a reunion of a group of friends, all artists, that Wendell and I worked with in 1941-43. The letter was not in the envelope but was kept separate by me for reference after the session. As I suspected, some of Seth’s data referred to the contents of the letter rather than the envelope object itself.

[... 3 paragraphs ...]

(“A double, or something twice, or a negative.” Relatively little of the data refers to the envelope object itself. Instead the empty envelope from Wendell serves as a springboard. This data is a case in point. After break Seth agrees with Jane and me when we assign the double or twice mentioned here to the frequent use of the numeral 2 on the second page of Wendell’s letter.

[... 16 paragraphs ...]

(“The number four.” We seldom can make positive connections with single numbers. The number 4 appears three times on the empty envelope object. See the tracing on page 71.

[... 6 paragraphs ...]

(“There seems to be a dual impression of printed matter with a photograph.” Seth comes even closer with this data. He deals with the photo-picture-artist impressions on the one hand, and the actual envelope object, containing both printing and typing, on the other. We regard this as good data. Tonight’s empty object also contained Wendell’s typed letter. In the past Seth, or Jane, has used lettering, typing, writing and printing interchangeably. Thus it is possible that tonight “printing” could refer to both the printing and typing on Wendell’s envelope, and to the letter it had contained.

[... 37 paragraphs ...]

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