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TES6 Session 260 May 18, 1966 6/74 (8%) Goldsmith Nate Saratoga spade visit
– The Early Sessions: Book 6 of The Seth Material
– © 2013 Laurel Davies-Butts
– Session 260 May 18, 1966 9 PM Wednesday as Scheduled

[... 2 paragraphs ...]

(Jane was especially logy before the session, and remarked that she didn’t feel much like having one. She decided to go ahead, however. I felt somewhat tired also. It was a warm and rainy night, which didn’t make us feel any more active.

[... 9 paragraphs ...]

Now. Mankind did at one time have what you may call a heavier body than at present. (Long pause, over one minute.) This particular body type has not vanished entirely by any means. The mental body, sometimes called the astral body, is the next one that you will inhabit. You inhabit it now, of course. (Long pause.)

[... 11 paragraphs ...]

Now, for our object. One or two small white objects, perhaps dice. If not there is a close resemblance in size, shape and color. The numbers 7 and 3, perhaps facing upward. The objects may be connected with a small chain, in the manner of cuff links. A Q. I do not know to what this refers. Also four pieces of paper.

[... 7 paragraphs ...]

A large round circular shape, perhaps inside of a rectangular one, and crisscross lines in the shape of a cross. The impression of movement, and some impression of a machine, perhaps an airplane.

[... 12 paragraphs ...]

(It wasn’t until Jane and I began to study the envelope data that we realized it referred to more than one visit to Saratoga on our part. This immediately complicated things. Interpretations became elusive indeed, and part of our knowledge that two visits to Saratoga were involved was subjective only. Had we realized this by the end of the session we would have called Seth back to help out. As it was we didn’t appreciate what had happened until the time came to write these notes. Another complication is that while we cannot pin down all the data, we feel that most of it is quite legitimate.

[... 13 paragraphs ...]

(“A large round circular shape, perhaps inside of a rectangular one”, can refer to the caricature of Nate Goldsmith on the back of the object. The drawing is made up of rounded lines and shapes, is rounded in overall shape, and fits into the black rectangular frame. We don’t particularly know why Seth uses large here, unless he means that the drawing could not be much larger and still fit into the rectangular shape.

[... 13 paragraphs ...]

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