1 result for (book:tes6 AND session:260 AND stemmed:here)
[... 10 paragraphs ...]
Of course mental or psychic journeys into other dimensions and systems are possible, and when I speak of dimensions here I am not referring to space systems. Mentally you can cut through space, physically you cannot. In some of your dream states you do travel through other dimensions and other systems. The extent of these dream travels is determined by your own ability.
[... 19 paragraphs ...]
A connection with a spade. Four. Connection with a meeting. The impression here of something underground. I do not know whether to interpret this as a burial or not.
[... 18 paragraphs ...]
(The spade impression here is apparently elaborated upon by Seth an impression or two later, in connection with underground data. There can be a connection with the black color of the suit of spades in a deck of playing cards, and the black of the object.
(“Four. Connection with a meeting.” This too took place on the 1964 visit. Jane feels subjectively sure that here the meeting between us and her father, Del, and his third wife, is referred to. The meeting was arranged by mail beforehand. Jane and I planned to meet Del and his wife, who were already camping at Saratoga Lake, there, and spend a few days with them before going on to Maine. This we did.
(“The impression here of something underground. I do not know whether to interpret this as a burial or not.” Possibly the death of Nate Goldsmith; we learned about this on our second visit. Jane, or Seth, has used the underground idea several times now in connection with death.
[... 6 paragraphs ...]
(“Implication of an error.” This is a good connection, involving both our visits to Saratoga. It is personal and so is not given in detail here, but can be explained by us at any time.
(“A large round circular shape, perhaps inside of a rectangular one”, can refer to the caricature of Nate Goldsmith on the back of the object. The drawing is made up of rounded lines and shapes, is rounded in overall shape, and fits into the black rectangular frame. We don’t particularly know why Seth uses large here, unless he means that the drawing could not be much larger and still fit into the rectangular shape.
[... 13 paragraphs ...]