“Seth material” search engine (Jane Roberts)

(Seth’s material above could explain the strange malaise she has been aware of in recent days, and we believe prompted Seth to call for the time off in the first place, in the 250th session.

(Jane’s eyes had been opening at times. Now they closed, and she sat back to give the data for the 56th Dr. Instream experiment.)

(Jane took a long pause while delivering the last sentence. See the summary of the unscheduled 251st session. Seth cut the session short, and after the five witnesses had left Jane was physically sick to her stomach three successive times. We both thought it a panic reaction. Later Jane told me she had very little memory of what Seth had said, even in the very strong voice; this is unusual for her.)

An impression again of an unscheduled event also, or an event not kept. A series of numbers, and an indication of the passage of time. Blue green, written with a pen, or the color of blue ink. A connection with an L initial.

(“A connection with something distant,” In the sixth column of the envelope object there is a reference to Corning—Painted Post School District, which employs Bill as an art teacher. This is perhaps twenty-five miles away. Bill lives here in Elmira and commutes to work daily. The time he can spend at his gallery in Elmira is thus quite limited—another reason for the schedule of hours posted in one of the windows, as mentioned on page 109.

(“A series of numbers, and an indication of the passage of time.” When I tore the article from the newspaper I wrote the month, day and year on it, not realizing the date was printed on the reverse side.

(“A mishmash, as of tiny crisscrossing wires.” Seth gave this answer to my question in which I asked him to say more about the object itself. The object consists of small printed type which was folded several times; such an impression of tiny criss-crossings could occur to an entity with the ability to see through the layers of the object, so to speak, or to pick up the impressions resulting from layers. This gets complicated however as will be seen in the next impression. [A later note by Rob: Bill had a small scuplture of criss-crossing wires in a gallery window.]

(Neither of us had seen Bill’s painting at the time the newspaper article was published, or this session held, on Wednesday, April 20. We did see it this morning, April 23. I can say the overall tone of the painting is of an orange gray, [bronze?] with other very muted colors interwoven.)